Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Jacques Rigaud
View from the foot of the Pyramid

ID: 48572

Jacques Rigaud View from the foot of the Pyramid
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Jacques Rigaud View from the foot of the Pyramid


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Jacques Rigaud

French, 1681-1754  Related Paintings of Jacques Rigaud :. | View from the foot of the Pyramid | View from the Gibbs Building | View of such parts as are seen from the Building at the Head of the Lake | View from the Head of the Lake | View of the Temple by the Water |
Related Artists:
Pierre-edouard Frere
(1819 - 1886), French painter, studied under Hippolyte Delaroche, entered the e - ole des Beaux-Arts in 1836 and exhibited first at the Salon in 1843. The marked sentimental tendency of his art makes us wonder at John Ruskin's enthusiastic eulogy which finds in Frere's work the depth of William Wordsworth, the grace of Joshua Reynolds, and the holiness of Fra Angelico. What we can admire in his work is his accomplished craftsmanship and the intimacy and tender homeliness of his conception. Among his chief works are the two paintings, Going to School and Coming from School, The Little Glutton (his first exhibited picture) and L'Exercice (in the 19th century this work was in John Jacob Astor's collection). A journey to Egypt in 1860 resulted in a small series of Orientalist subjects, but the majority of Frere's paintings deal with the life of the kitchen, the workshop, the dwellings of the humble, and mainly with the pleasures and little troubles of the young, which the artist brings before us with humor and sympathy. He was one of the most popular painters of domestic genre in the middle of the 19th century.
Ivan Grohar
Ivan Grohar (15 June 1867 - 19 April 1911) was a Slovene Impressionist painter. Together with Rihard Jakopič, Matej Sternen and Matija Jama, he is considered one of the leading figures of Slovene impressionism in the fin de siecle period. Grohar was born in the Upper Carniolan village of Spodnja Sorica, then part of the Austro-Hungarian Empire. From an early age, he showed an interest in art but he could not develop his talent because he was an orphan and lived in poverty. In 1888, the local vicar Anton Jamnik sent him to an exhibition in the nearby town of Škofja Loka, enabling him to spend the summer working in the town of Kranj under the supervision of the church painter Matija Bradaška. He also travelled to Zagreb, where he worked in the atelier of Spiridion Milanesi, until he was conscripted into the Austro-Hungarian Army. He disliked the military life, so he deserted and fled to Venice, in Italy. Left with nothing, he appealed to the Austro-Hungarian consulate. In 1889 a court sentenced him to a short stay in prison and extended his military service by one year. Ivan Grohar: Brna from 1899In 1892, he applied to the Carniolan Provincial Diet for financial assistance to study at the Graz school of painting, which he received. Two years later, he applied for assistance to study at the Academy of Fine Arts in Vienna. This assistance was also approved, but despite his excellent exam result, he was not accepted to the Academy because he had not finished his studies in Graz. He continued his schooling in Graz and finished it at the end of 1894. In August 1896, he opened his own atelier in Škofja Loka. He also worked in Munich, where he attended Anton Ažbe school of art. Back home, he befriended the impressionist painter Rihard Jakopič. In autumn of 1900, he took part in the first Slovene Artistse Exhibition, organised by the Slovene Artistic Association (Slovensko umetniško društvo, SUD). He was elected to the position of treasurer of the SUD, but illegally borrowed money from the association, for which he was sentenced to three monthse imprisonment. On his release, he left for Vienna.
Nash, Paul
English, 1889-1946 Painter, printmaker, designer, writer and photographer. Although he briefly attended the Slade School, London, in 1910, he was essentially self-taught. His first one-man show was held in 1912 at the Carfax Gallery, London, where he showed a set of shadowy landscapes and imaginative drawings that look back to the Pre-Raphaelites and late 19th-century illustration. Between 1910 and 1914 he paid little attention to Post-Impressionism and the modern movements in London.






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